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Kurt Hellmer
Kurt Hellmer, d 11 May 1975 was a literatus who, as a New York literary agent represented Max Frisch〔(Frisch, ''The Firebugs'' )〕 and Friedrich Dürrenmatt,〔(New York Times, 22 September 1959 )〕 amongst others.
A widely experienced director and playwright in Germany and Austria,〔(New York Times, 1 February 1949 )〕 Hellmer, having fled Nazi Germany in the 1930s, was a prominent figure in the German exile community in New York, editor of Aufbau,〔 forcefully advocating avant garde forms and sensibilities such as the epic theatre of Brecht, the Theatre of the Absurd, advocating and advancing the work of such figures as Erwin Piscator.〔(Bibliography, Erwin Piscator (German) Site )〕〔(Max Reinhardt )〕
Hellmer became a producer and literary agent in the 1940s,〔(New York Times, 25 April 1945 )〕 representing, in addition to Frisch and Dürrenmatt, such figures as Sławomir Mrożek,〔(New York Times, 15 August 1961 )〕 Michael Noonan,〔(Guide to the Papers of Michael Noonan, National Library of Australia )〕 Jacob Picard,〔(Guide to the Papers of Jacob Picard, Center for Jewish History )〕 and Jane Rule,〔(University of British Columbia Archives. )〕 and producing the work of authors such as George Bernard Shaw.〔(New York Times, 1 February 1941 )〕
Hellmer's ideals and commitments, both aesthetic and social, are illustrated by the instance of Jane Rule for whom he ultimately succeeded in securing publication of her first novel, ''Desert of the Heart'', in 1963, at a time of considerable resistance to the publication of such work.〔
Amongst others, Hellmer first represented the work of Alen Pol Kobryn〔(Author's Site )〕
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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